the Dead I Know – by Scot Gardner

“In a curious way, I felt unburdened by the lack of hair. Something stirred in the pit of my belly and I wondered if the late Mrs Carmel Gray would like my shirt and my JKB tie and my new haircut. I wondered if I would be in the same room as the body. I wondered if I would smell the dead. Touch the dead.”

Aaron has just arrived to begin a new job. His new employer, John Barton, has already sent him to the barber, provided him with white shirts, a tie and measured him up for a suit! And Aaron has quietly accepted all this happening to him.

Strangely, the world he enters suits Aaron’s personal demeanour. He is told to watch and say nothing; so that’s what he does – he watches and observes. And he learns from John Barton, as he mimics the tasks he needs to perform at the funeral parlour, an unusual occupation for a teenage boy.

Back in his own personal world, things are less ordered and far more chaotic. He lives with Mam in a caravan park, as they have for many years, but things are changing. Often now, he has to rescue the burnt remains of Mam’s cooking, keep on the lookout for Westie and occasionally he finds himself waking in the strangest locations, pinned down by those who try to rouse him from his nightmares.

Little insights to Aaron’s past are revealed as the story progresses, but only as slowly as he cares to reveal details to the new people in his life. I love the way Mr and Mrs Barton deal with him, gently guiding and occasionally pushing him in certain directions. They are understanding adults, who avoid pressuring the somewhat troubled teen, without being too intrusive and making a subtle difference. This contrasts with those he sees at the hospital when his Mam has a broken arm. They feel she has others needs, and pressure him, but Aaron stands firm refusing further tests for her.

The Barton’s impudent and inquisitive daughter, Skye, asks many of the questions we would like to ask, and makes many wild assumptions also. Mostly, Aaron humours her, though occasionally she strikes a nerve. Piece by piece we discover more about Aaron’s life.

Scot Gardner has created another interesting world in ‘the Dead I Know’, and is able to portray the development of friendships across generations in a realistic manner. The quiet fondness of the Barton family for Aaron is accepted, though there is a slight sense of awkward reluctance from Aaron – a little reminiscent of when young Daniel begins to work for Eddy, an 89-year-old Dutch woman in ‘Burning Eddy’. (This book was on a previous CBCA shortlist in 2004)

‘The Dead I Know’ takes us into a different world, where death is all around, and the struggles of life are reduced to family memories and funeral services. Aaron fights past demons, at the same time as dealing with family concerns, and we are able to empathise with his quiet considerations of what is best to do for everyone concerned. Yet he faces his own shadows and personal doubts.

Have you read…?

Have you started reading any of the books nominated for the CBCA Older Readers Awards for 2012? The list includes several past winners – Ursula Dubosarsky, Michael Gerard Bauer; past shortlist nominee – Scot Gardner; and authors noted in other literary awards, for both young adult and adult books – Bill Condon and Andrew McGahan, new to YA awards, Robert Newton.

The list below (from the CBCA website) includes links to publishers’ websites for enticing summaries about each book.

 

Author

Title

Bauer,
Michael Gerard

Ishmael
and the Hoops of Steel

Condon,
Bill

A Straight Line to my Heart

Dubosarsky,
Ursula

The Golden Day

Gardner,
Scot

The Dead I Know

McGahan,
Andrew

Ship Kings: The Coming of the
Whirlpool

Newton,
Robert

When We Were Two

 

# Which one would you give the top award?

 

Who am I? ‘Red’ by Libby Gleeson

She rouses herself, caked in mud, covered in debris. Where is she? what has happened? Better still, who is she?

In a daze, her eyes finally focus on a boy ‘sitting on a kitchen table in a muddy pool’. As she babbles incoherently, he slaps her hard across the face – not a very auspicious beginning to a friendship. However, they do becomes friends, as Peri is a person she has to rely on, while the girl struggles to remember who she is and how she got there.

‘Red’ is set in Sydney, following the events created when a cyclone devastates the eastern suburbs. In survival mode, Red and Peri team up. Glimpses of memory return as they move about finding food and shelter amongst the devastation. Red, though she cannot remember, is sure she has a family who could be searching for her, and so they skirt around the shelters set up to help those impacted by the cyclone’s destruction.

Peri was a street kid before the disaster, and so his skills protect them. They want to avoid the authorities taking charge of them – a decision which comes mainly from Peri, though his reasons are unclear. Red accepts this, and together they move about in survival mode, until a discovery makes their anonymity even more important.

Libby Gleeson has successfully created a mystery which unravels slowly as ‘Red’ recovers her memory, bit by bit. A friend from the past fills some gaps, though lost contact between Jazz and Red leave an absent period in Red’s life. Objects and places they encounter jog her memory also – but only to suggest to her that she is in great danger.

There are some interesting devices in Libby Gleeson’s story:

1. I love that a safe haven for Red and Peri is the school library

2. Red carries a picture book from that library with her – the story of which brings hope and colour into her thoughts. (#Trying to guess which one – think this may be similar to a recent publication?)

3. The disaster hits Sydney with an impact that recalls our shock about the Queensland floods, while we were still able to carry on our daily lives here in NSW – in the story life carries on in the suburb of Burwood, and areas outside of the eastern suburbs seaboard.

There are also others that I won’t mention, as they may be spoilers, but needless to say, Libby Gleeson has created a tale which reflects the chaos caused by natural disasters and the inner resilience of people, woven into a thriller which has you guessing ‘what next?’.

As an extremely successful author, an advocate for quality children’s literature and a passionate teacher of her art, Libby’s talents provide another great read for enthusiasts from senior primary to lower secondary school – certainly one to promote interest and discussion.

Here’s a book trailer, released by to introduce ‘Red’ and a link to Libby’s website for more great writing:

Another world – ‘Mountain Wolf’ by Rosanne Hawke

‘Abdur-Razaq Nadeem felt the rumble in the earth, like a truck rushing underground.’ So begins the events which turn Razaq’s life upside down – an earthquake which wipes out much of his mountain village, including his family.

Set initially in a mountain village in Pakistan, Rosanne Hawke’s book , ‘Mountain Wolf’, reveals the precarious situations of many children following a natural disaster. The loss of his immediate family in the earthquake leaves 14 year old Razaq in the doubtful care of a lonely neighbour, Mrs Daud, who is experiencing her own shock and losses. In her disoriented state, she claims him as her son, then misguidely hands Razaq over to a stranger, who promises to help him find his uncle – in exchange for a paltry sum of money.

Thus, begins a tragic journey of  trading, as Razaq is taken to the city and sold into slavery. At first, he is a virtual slave to a restaurant owner; then from there he is exposed to an even more seedy side of life of child abuse and prostitution. His only hope remains in finding his uncle, who in a parallel story begins a relentless search for Razaq.

Rosanne Hawke writes from the heart. With the experience of participating in aidwork in Pakistan and the United Arab Emirates, her stories are informed and real. The reader can truly imagine the places she describes, and empathise with each of the young, abused children. And the children she portrays are also real. Razaq’s growing understanding of his situation reflects the innocence of many real children who are caught in child slavery; thus, the story opens our eyes to the tragic situation of many children caught in the web of the child trafficking in many places around the world.

In ‘Mountain Wolf’, Rosanne Hawke also successfully blends differing points of view, with muslim Razaq being exposed to the Christian beliefs of Tahira, a girl similarly entrapped and abused. Together, they give each other hope in the most desperate of times, and their friendship is a tiny glimmer of happiness which keeps them going. Their friendship is also Razaq’s Achilles heel, as his captor knows he can control Razaq via Tahira. Meanwhile, the strength of family ties is clear as Uncle Javaid continues to search for Razaq.

‘Mountain Wolf’ is a challenging story, since it exposes a subject matter many would rather not know about. It’s probably a bit uncomfortable and a little too descriptive for younger readers, but the confronting tale tells an important story for a mature reader. (The author acknowledged this at its launch at the 2012 CBCA conference in Adelaide.)  Graciously, Rosanne has donated proceeds from the book to help children whose lives have been traded, and there is a list of resources used by the author that readers might like to follow up. (#I was unable to find out more detail…)

Other books by Rosanne Hawke, such as ‘Marrying Ameera’, are also commended for their gritty realism and the strong determination of her characters. For an understanding about how her writing and her life interests see: http://www.rosannehawke.com/

Whodunit? What I saw and how I lied – Judy Blundell

As I began reading this story, I felt that I was in an old style of detective story – where someone hires the cheap inexperienced detective in smoke-filled rooms. With that tone, the tale of Evie and her family picking up the pieces in the post-war era began, reflecting a bit of shadyness, a mystery to be solved.

Evie is a young girl, struggling with the normal angst of teenage girls – is she pretty enough? why isn’t she beautiful like her mother? where does she fit into the family? how real are her friendships? Then one day, her stepfather comes home to announce that they are taking off on a spontaneous trip to Palm Beach, Florida. Their initial excitement wanes as the discomfort of their road trip from New York increases, and then when they arrive in Palm Beach, it appears holiday season is over.

In spite of this, Joe remains cheerful about their arrival, and they soon get into the holiday mode. They also meet up with some interesting characters, though some may not be quite who they pretend to be. As you read, lots of questions form in your mind – why do they stay in Palm Beach when it’s clearly not the normal tourist season? what does Joe have to hide? who is Peter interested in, and why? and, shouldn’t they take cover as hurricane season approaches?

Elements of the book were predictable, which is sometimes satisfying for the reader. But it wasn’t totally predictable, and even at the end, who did what and why, is not 100% clear. What is clear, is the strength of family relations, and the way our perceptions might be flawed at times by what we want to see…

An “elegant, detail-driven tales (that) smoothly segues into a whodunit page-turner.” quote from the blurb (Chicago Tribune).

For love & justice – Prized by Caragh M. O’Brien

I found myself enjoying the challenges of ‘Prized‘ before realizing it was the second book of a series. Can I say, it wasn’t a problem to read alone, though I will probably venture back to ‘Birthmarked’ at some stage…

‘Prized’ opens with a young girl, Gaia, struggling across the desert with her baby sister bundled close to her. The baby is close to death when the are ‘rescued’ and taken to a gated community on horseback. In the days to follow, though Gaia and her sister recover, their lives are changed completely as they are separated and come under the laws of the land.

Gaia has to submit to the dystopian order of Sylum, where the minority female community rule, and baby girls are highly prized. Her skills as a midwife are valued, in many different ways, and she challenges the rules of the society with some dire consequences for herself and others.

Will she finally submit to the autocratic control of Matrarc Olivia, as she lives under her close and demanding supervision? Can she adapt to the harsh social rules and regulations in a society where a kiss can have tragic implications?

‘Prized’ brought forward some interesting ideas – some, like the ruling (female) class being the smaller portion of the society, were a bit curious, I thought. But I gave in to the laws of Sylum, accepting the way things were much more than Gaia ever would, because I was captured by the tale Caragh O’Brien tells.

For more on the series, see: http://www.caraghobrien.com/book/birthmarked/

A thorny situation – ‘Rosebush’ by Michele Jaffe

The image with which ‘Rosebush’ opens is both poetic and dark. A young girl lies broken and motionless, tangled in the clutches of a thorny rosebush. Is she alive? Her eyes are open and glazed, sightless.

For all accounts, she is dead. But not so – since the voice of this tale belongs to her. So begins the recount of the events and relationships which brought her to this day, as she slowly recovers in hospital.

In hospital, Jane has plenty of time to wonder, trying to remember what happened the night  of the party and her strange accident. Her memories are hazy, and don’t seem to fit with some of the things her friends are explaining to her.

Her hospital room is filled with lots of ‘Get Well’ wishes; including some strange and somewhat threatening ones from a secret admirer. Jane begins to develop a sense of paranoia, thinking someone is still trying to kill her. Family, friends and hospital staff try to explain this away, as either  a reaction to recovering from a major accident or the effect of drugs she has been given. But is that all it is?

‘Rosebush’ is a bit of a mystery/thriller, set on the Jersey Shore. Thus, many of the main characters are cast as spoiled, wealthy wannabes, with little regard for how they impact on the lives of others. Jane has decided to try on this type of persona when she moves to the area. She reinvents herself, and is accepted into the cool group at her new school, becoming one of the ‘three musketeers’. As she tries to recall the events leading up to her accident, she also does some evaluation of her ‘friendships’, spending a lot of time observing others as she slowly recovers.

Did she, as the police suggested attempt suicide? Or was someone out to get her? Why? Is she now just going mad? Or does she need to save herself before the killer finishes her off?

Have you ever tried to be someone else to fit in with others? How can you tell when people are being real with you? What is true friendship?