Free YA Audiobooks

Have you tried audiobooks yet? With school and local libraries closed for a while, it might be a good time to trial one or two… for free. Here is one option…

SYNC is a free summer audiobook program for teens 13+. Returning April 30th and continuing 13 weeks until July 29, it provides access to a selection of paired YA titles to give you a taster.

Simply register your interest at the SYNC site, set up email alerts and then you can download and listen to any of the titles you choose. And once downloaded, they are yours to keep! (You will need to download the Sora reading app here to whichever device you plan to use for listening.)

You can already browse through the expected titles and listen to a small excerpt to see which ones appeal (clicking through the blue numbered dots on this page ). And you will see there is a range of quite diverse titles, with both new and old authors in the mix (even Shakespeare is there).

A selection of the titles on offer – the range for the first month – more detail at https://www.audiobooksync.com/

Why not give it a whirl? What have you got to lose?

# Note, these are mainly American titles.

‘Weeksy Reviews’, reviewed…

A change of look*, a change of thinking – and COVID-19.

As COVID-19 has shut many things down, people have been seeking ways to maintain contact and connection. With local and school libraries closed to public access, the need for reading options increases (we have more time in shut-down, don’t we?).

If you haven’t already checked out piles of books from your school and library shelves for your period of shutdown, now is the time to search for places to access the many books you now have time to read – uninterrupted.

How to buy the physical

Many local and online bookstores are offering free delivery services – too many to list here. Just give them a call, or access online stores if you don’t have a local.

How to gain free access

Local libraries, of course, offer free access to ebooks and audiobooks to members. (Hopefully, you have heeded previous advice to join a local library.)

How to buy ebooks, audiobooks

If you didn’t meet the closedown deadline to join local libraries (for which need you to physically verify your ID and address), then other options for you are:

  • Purchase ebooks online (e.g. via Amazon.com.au, Booktopia and other online bookstores)
  • Trial/join Audible.com.au (or similar) for audiobooks

Some of these may require apps to be downloaded, but in the case of public and school libraries, all the details are usually given.

Kindle, BorrowBox and RBDigital are among the common apps required and easily set up on your computer, iPad or other digital devices.

Don’t let COVID-19 prevent your access to great books! 

Reading suggestions from here…

By the way, if you search ‘ebook‘ or ‘audiobook‘ on this blog or click on these as tags, you will find lots of reading suggestions – which you will be able to access – free or at a small cost from the abovementioned locations, if you don’t have access to the physical book.

Happy reading!

* Changing the look of this blog – perhaps still a work in progress. I welcome any comments!! Do you like it? The change was made to be more mobile-friendly. Click on the post to make a comment.

Perspectives – And the Ocean was our Sky

Patrick Ness, the author of ‘a Monster Calls‘ and ‘the Chaos Walking‘ trilogy,  is known for looking at things from a different perspective – so the inverted point of view in ‘And the Ocean was our Sky‘ should come as no surprise.

It is a tale told from the point of view of Bathsheba. Who or what Bathsheba is, takes a while for the reader to determine. However, when this comes about, it really turns your thoughts upside down.

Thankfully, there is some revelation of the setting in the beautiful illustrations of Rovina Cai. These play an integral part of the story, creating a time to pause and reflect on the events in the text. They are also a  reminder that different worldviews exist; their swirling colours echo the turbulence of the tale. (Warning: some of these may upset young readers.)

Key character Bathsheba reluctantly works as an apprentice under Captain Alexandra, in brutal battles against their foe. She bemoans that she never wished to be a hunter, and it becomes clear that her acute thinking skills will come to the fore. She constantly questions the morality and reasons for their obsessive searches for the devil known as ‘Toby Wick’, and their aggressive hunt for ‘man-ships’.

And the Ocean was our Sky‘ begins with ‘Call me Bathsheba…’ – a line that mimics one from Herman Melville’s famous ‘Moby Dick’. Indeed, there are many clever nods to this famous tale – now told by Ness from a far different perspective, where the hunted becomes the hunter! Ness has also made some interesting choices when naming characters like Bathsheba, Alexandra, Demetrius and Wilhelmina – the work of a master craftsman, don’t you think?

The story questions the things which we may use to justify our actions, emotions and prejudices. Should there be a never-ending war, just because “So it has been, so it shall always be.”? Is the enemy real or a myth? Do we keep enemies in our minds without really knowing why? Can moral choice instead override the historical biases laid on a culture? Must Bathsheba continue to follow in her assigned role forever?

Below, Patrick Ness introduces his book:

 # This was read as an audiobook – but fortunately with the beautifully illustrated copy on hand. This was definitely a time where the physical book was essential!! 

## ‘A Monster Calls‘ was previously reviewed here.

Light and Dark

all the lightA young blind girl living in Paris. A poor German orphan. A mystical precious gem, the Sea of Flames. And the ominous background of World War II.

These are the characters to be blended together in ‘All the Light We Cannot See’ – a novel 10 years in the  making, a novel awarded the Pulitzer Prize for Fiction in 2015.

Marie-Laure, who has been blind since the age of 6, lives with doting father, a locksmith who works at the Museum of Natural History of Paris. Building a small wooden model of their neighbourhood, her father has cleverly encouraged her to use all her other senses to get about. Time spent at the museum has also alerted her quick and curious mind. When trouble looms from the German occupation of Paris, Marie and her father flee to refuge with relatives in Saint Malo, a walled city by the sea. [See image below]

In another world, Werner seems doomed to follow in his father’s footsteps, working in the mines which ulitmately killed him. However, fortune shines on him (though lightly), when he is discovered as a clever young boy capable of fixing radios; saved from the mines, but caste into the Hitler Youth.

‘All the Light We Cannot See’ tells their tales in parallel for some time, slipping backwards and forwards through times from 1934 – 1944, and on to 1974. Through their eyes, we experience the conditions in 2 different countries before, during and after WWII, and can begin to understand the dark condition of Europe and its inhabitants, during these times. Like many war stories, we are exposed to many grim situations and many dark personalities. The presence of the young, through whose eyes this is ‘seen’, makes it all even more chilling – especially if you multiply by the millions of children they might actually represent in real events.

Anthony Doerr plays with light and dark in many ways. That Marie-Laure spends her life in darkness, but brings some lightness to the story, is one. She ‘sees’ quite a lot in the story – sensing a lot about people, even just from the way they walk or speak. Her ability to move about her home town, and her new home and village (at Saint Malo) are what her loving father wisely prepared her for. It is not surprising, however, that ultimately darkness pervades her tale.

city-of-st-malo2

The walled town of Saint Malo

Werner’s story has little light to it. His options are dark mines, or dark enlistment to the Hitler Youth and WWII. As an orphan, he has lived somewhat happily with his sister in a children’s home. Taken from this to work ‘for the Fuhrer’, he experiences and witnesses many dark events and situations. Reading these experiences is harrowing and upsetting; through the study of history we know too well that they are quite true reflections of what happened for many – though perhaps we don’t always consider it from the point of view of children.

Other light plays into the story with the legend of the ‘Sea of Flames’ – a precious diamond which is said to be both valuable and a curse – a diamond which has 3 replicas made to keep it safe. And the light we cannot see – radiowaves – impacts them all.

As you might expect, the storylines don’t remain parallel, and events (and the Sea of Flames) draw their lives together, though perhaps not as truly expected.

Here’s a short video you might like to watch before you read the book – Anthony Doerr discusses the inspiration for ‘All the Light You Cannot See’. Or read this interview.

Mists and memories

imageAxl and his wife Beatrice cannot understand why they can no longer have a candle in the darkness of their modest home at the edge of their village warren – but that is what had been decided. Struggling also with the taunts of unruly, undisciplined children and the vagueness overcoming other villagers, they decide to embark on a journey to see their son.

Even though, for an elderly couple, such a journey looms as an ominous unknown venture, they feel compelled to attempt it  – and so Ishiguro weaves a veil of intrigue over their travels, and they move amongst differing villages and cultural contexts.

Others they meet along the way include warriors out for revenge, misguided monks upholding tradition and rituals, outcastes of various types, and a brave, though elderly, knight – all with passions of their own, and ideals conflicting with one another.

The world Ishiguro has created has mystical elements, including a mist of forgetfulness, dragons, pixies and ogres. Within this, human spirit battles historical conflicts, myths of the past and present, and that ‘which-may-be-remembered-but-probably-shouldn’t’.

A powerful mist has robbed many of their memories – both good and bad – and Axl and Beatrice had seen evidence of this occurring more and more before they left on their journey. They too, strugged to recall much of their past, but in their hearts they sought to find their son, and so their journey begins.

‘The Buried Giant’ recalls parts of history – the conflict between the Saxons and the Britons, but talks of a time of forgetting when they live peacefully side by side. Niggling memories are what haunt those like Axl and Beatrice, Master Wistan and Sir Gawain, and suspicion and cultural beliefs hunt young Edwin from his native home.

Their fragmented journey together, where loyalties are tested time and again, make for a challenging tale of love, life and destiny. Yet another well crafted tale from Master Ishiguro, including a beautiful portrayal of love and marriage.

For a bit of a taster, listen to this audio excerpt. This is definitely a great book for an audio version – I really enjoyed hearing the different voices, so well expressed by David Horovitch.

For another, more extensive review read: http://www.theguardian.com/books/audio/2015/mar/04/kazuoishiguro-fiction

Struggle to be free – the Invention of Wings

inventionofwingsxI hereby certify that on this day, 26 November 1803, in the city of Charleston, in the state of California, I set free from slavery, Hetty Grimke, and bestow this certificate of manumission upon her.

Sarah Moore Grimke.

So begins Sarah Grimke’s attempts to free her personal slave, Handful – a gift from her parents on her eleventh birthday. As the middle daughter of a wealthy and prominent family in Charleston in the American Deep South in the 1800’s, she struggles to act in the way society expects of her. Sarah is unable to turn a blind eye to the brutal treatment of slaves – both those in her household and in society at large.

From an early age, witnessing the harsh treatment/punishments meted out (to keep the slaves in line) has a massive impact on Sarah. A troublesome stutter, which she struggles with at times of angst, in fact has its roots in a vicious flogging she viewed. The reality and pain of this urged Sarah on to fight for the abolition of slavery, but also provided a stumbling block to her ambitions – that, and the fact that she was a girl in a male-dominated society. Though she is known as ‘the daughter her mother calls difficult and her father calls remarkable’, there is nothing remarkable planned for her future.

The Invention of Wings is also told from the perspective of Hetty, otherwise known as Handful. Through Handful, the daily struggles of a slave are told, along with the coping mechanisms they use to survive. Handful’s mother, Charlotte, tries to weave hope into their pitiful existence, as she tells her about her family and their traditions – aiming to foster pride and courage in her daughter. As a talented seamstress, Charlotte is also clever in  teaching Handful valuable life skills and worthy talents to make life a little easier.

The story is actually founded on actual historical figures, Sarah and Angelina Grimke, American abolitionists, and members of the women’s suffrage movement. Much of the detail about Sarah is based in fact, while Handful’s story comes from research into slave narratives and personal childhood experiences of Sue Monk Kidd with African American voice.

Both Sarah and Handful ache for wings to free them from the fetters of their lives – one captured by slavery, the other with the sentence of being female at a time when women had few rights. While Sarah’s key purpose  is to promote the abolition of slavery,  and fulfilling a promise to Charlotte to try to free Handful, her own ‘slavery’ as a female also gives rise to the fight for women’s rights (which was also the case in history).

The Invention of Wings follows the success of The Secret Life of Bees, and would also make a great movie.

To get an insight into the writing process, there are several interviews with Monk Kidd online – including one hosted on her own website. It is a really interesting read, as she talks about the characters coming alive on the page over the 3 1/2 year writing period!

# I ‘read’ this book as an audiobook, which provided a great cast of voices also – though as usual I still needed the actual book when I became impatient to see the words on the page.

 

History lessons – Orphan Trains

orphanSometimes we learn things from books which we never knew about. For me, I had never heard of the concept of ‘orphan trains’ until I read the book ‘Orphan Train’ by Christina Baker Kline.

Here is some information about ‘orphan trains’, according to Wikipedia:

The Orphan Train Movement was a supervised welfare program that transported orphaned and homeless children from crowded Eastern cities of the United States to foster homes located largely in rural areas of the Midwest. The orphan trains operated between 1853 and 1929, relocating about 250,000 orphaned, abandoned, or homeless children. which took young children into the countryside to be adopted by country families of the USA.

Baker Kline’s tale personalises this experience, and makes us consider what it might be like to be relocated and adopted as a young girl, at this time in history, in a foreign land…

A young Irish girl, Niamh (pronounced “Neeve”), who immigrated from Ireland during the Great Depression, loses her entire family when a fire rips through their apartment building in their new homeland. The authorities see fit to send her on an orphan train for fostering by a family in the countryside – this deemed to be her only choice.

Orph-Train.photo1_Niamh’s tale is told by Vivian – an elderly woman living alone in a large house full of untouched possessions. Her possessions in the attic begin to be sorted with the arrival of Molly – a wayward teen, on her last chances in the foster care system. A community service position helping the elderly woman clean out her home is the only thing keeping Molly out of juvenile detention.

Molly is reluctant to take part in the activity – since she is beyond expecting to get anything positive out of her life; but her boyfriend persists and encourages her to ‘do her time’ this way.

As Molly helps Vivian sort and revisit possessions, Vivian’s story plays out and they find they have more in common that might first be apparent.

In ‘Orphan Train’ Baker Kline provides characters and families to history, as well as presenting the emotions that could be felt by orphans and ofster children of the modern day. It is a story of both desperation and hope; of upheaval and settling; of desertion and friendship. Within it pages, both Molly and Vivian learn from one another, and the gap between generations dissolves. Past experiences shape us, but the present is how we learn and grow from these.

What things in the past have shaped how you are today?

Is there anything in ‘Orphan Train’ that surprises you? or anything you might question?

NB. Listening to this tale was a great experience as each character spoke in a different accent, as it jumped between differing locations and times!

It’s Black and White – audio with print book, too.

Night-Circus-UK-coverThe ‘Night Circus’ begins with an unusual delivery – a 5 year old girl delivered to her estranged father. It sets the tone for a tale filled with magic, mystery and strange happenings – nothing in this story is fully explained, at first.

Celia’s father is no ordinary father but a master magician. He claims however, that his trade is not in creating illusions, but in performing real magic. As her father’s daughter, Celia becomes involved in a high-stakes competition set up between Prospero and his long term rival – a magician know only by the mysterious name Mr A.H. The challenge is to prove whether magic is innate, or whether anyone intelligent person can develop the performance with skilful teaching by a master.

‘Let the games begin!’

Throughout the story, a major character is Le Cirque des Reves. This is no ordinary circus, since it arrives unannounced, without any fanfare and is setup from nightfall to dawn. Inside its black and white structures, spectators are treated to intriguing performances, theatrical stunts and out-of-this-world experiences unmatched by any other – all of which are intricately described and embellished beyond your imagination. In spite of the circus having no known schedule, a dedicated band of followers (reveurs) manages to anticipate and herald their arrival.

There are other significant characters who also anticipate the arrival of the circus and its entourage, as Morgenstern cleverly mixes the story together. In doing so, she has developed many intriguing characters and histories, in her debut novel – as well as some intriguing inventions for the circus itself.

However, this was one story which was a little difficult to follow in the audio version, as the chapters skipped from one time period to another, although the voices hinted at change. So it was great to jump into the print version from time to time, where it was much easier to track these time changes.

The book trailer below gives a hint about the style of the book – old worldy, black and white, circus focus with a bit of mystery, magic and love woven through:

 

 

Morgenstern also mixes an array of colourful characters and scenarios in her magical tale. Celia is not the only talented illusionist, as she is in competition of course with the dark and intriguing Marco, Mr A.H’s protégé. The history of her father (Prospero), the conception and development of the circus, and its impact on people are facts which are teased out at an agonizing pace. In a world of mystery and illusion, there is little that is really as it first seems. Many in this world are performers, and all is not always as we first see it.

It was easy to get caught up in the circus world, to suspend belief and engage in the battle for magical supremacy, even though you felt there was no chance of a happy ending – especially if you have empathies for both Celia and Marco, and the circus family. In this story, it is hard to decide who is the victim or villain, hero or heroine – or is it? A recommended read for you to puzzle over.

In this article from the HuffingtonPost, reviewers speak of the differences in reading and listening to the Night Circus – what do you think are the main differences?

Which way would you prefer to experience a book?

Or in which order would you try? Book? Audio? Movie?

Is this multimodal reading?

Life of Pi/ Water for Elephants/  Unpolished Gem/ The Night Circus/ Eyrie/ Burial Rites/

headphones-and-bookAll great books I have enjoyed recently; and all books I started using an Audible.com copy but finished with a physical book. Does this sound like you?

To be honest, I love the audible versions – especially those which involve obvious accents or strong voices. For example, in Water for Elephants, the elderly voice of Jacob Jankowski is an inspiring addition as the story is introduced. Listening to the Indian accent in Life of Pi, and the Chinese accents in Unpolished Gem is similarly authentic, and, as my car travels along my normal school-to-work routes, I also travel to places much further away.

In another way, the voicing of Burial Rites has been immensely helpful. Since it is set in Iceland, to be able to read the people- and place-names (without an authentic voice or knowledge of native pronunciations) is difficult. Cleverly, the reading also manages to distinguish between different voices and points of view by varying tone and volume to suit. And so I easily became well entrenched in the atmosphere of the grim story, as set by the tone and tempo of the story while it was read to me.

However, as I stated earlier, for each of these titles I have dipped in and out of both audio and print editions.

In one case, it was because my ereader ran out of power while I was on holidays – without the charger! I feverishly raided the stores till I found a print copy, and quickly finished the story. (And then had to beg/borrow/buy more, since I had relied on the store on my ereader!)

In the Night Circus, the movement of the book’s actions from one date to another made it difficult to keep track – and unlike Burial Rites the change of voice was not as clearcut or obvious. So once again, I found a print (library) copy.

It always surprises me how little I seem to have read when I do get my hands on a print copy, even after quite a few hours of listening in the car. It always seems as though I should be further into the story. Similarly, I am surprised how quickly I finish a print copy. Thus, I sometimes get impatient and want to read faster than the audio version – and move to the print edition. Then, the journey to work allows me to catch up with voices, tone and tempo – if the timing is right.

As I try to limit the piles of books which collect around my home, I am drawn more and more to ebooks and audio versions, though I find I still feel the need for both. I have, so far, avoided a print copy of Eyrie as I don’t want the expense and space taken by a hard cover book (though I might take a peek at a library copy one day, if I decide to revisit the oft poetic writing of Tim Winton).

What about you? Perhaps I just need to use my library more? (in conjunction with the audible versions?) But you do know how impatient you can be waiting to get your hands on the latest or hard-to-get editions!!

Any solutions? Advice?

Sensing an audiobook – Linger by Maggie Stiefvater

‘Linger’ continues the Mercy Falls trilogy, and this time I’m “reading” it as an audiobook – and this is probably one of the best series to have as an audiobook. I am currently loving the change of voices as the story continues, introducing new characters and complications, emphasised even more by different voices.

Just as in ‘Shiver’, there is a fabulous awareness of senses as the story continues. I can smell the musky odour of the wolves, feel the heat and contortions as wolves and humans ‘shift’, and sense the anxieties of everyone as they try to understand the nature of what is happening to them all.

With the introductions of new characters, and in this audio verision, new voices, new tensions and new problems arise. Passing the reins to a younger wolf, Beck has passed on great responsibility to Sam, with new wolves being created and needing some guidance. The tensions of young love also add to to the problems to be resolved in ‘Linger’.

Throughout, there is the awakening of the senses of Grace – is she the next to be shifted to wolverine form?

Maggie Stiefvater uses words perfectly and accurately to portray this tale – and the readers of the audiobook greatly enhance this… (Though not sure whether I dislike Cole because of his voice or what he says.)

To be continued…