Future Girl – Asphyxia

What a beautiful book – the story, the illustrations, the things you can learn, the things you can think deeply about!

As an artist, author and activist (who also happens to be Deaf), Asphyxia has created a sumptuous book with a tale to be considered carefully. Her illustrations are just beautiful, as they reveal Piper’s emotions as she journals her personal insights.

Piper has been deaf since 3. Her mother wants her to be seen as normal. In a near-future dystopian society, life is hard enough, but Piper finds school and its demands more exhausting each day. With the ability to ‘tell it from the heart’ (as a Deaf person living in a hearing world), Asphyxia reveals through Piper just how hard it is being Deaf.

‘Future Girl’ is also coloured by the real characters Piper meets, as she struggles to find direction for her life outside of her school experience. There is so much more she learns (and teaches us) from these people.

Marley first helps her fix her bike, and becomes a future love interest. Robbie, his mother (who happens to be Deaf), opens up a new (Deaf) world to her – a new way of being herself. From her, in a world of economic chaos and rationing, she also learns ways to provide for herself (and her mother, Irene) and begins growing her own food.

Gradually, Piper becomes part of a different community, where her talents are applauded. Her voice is found in her art. At the same time, many upheavals in her life create challenges, and she has to decide what is important to her.

Asphyxia’s gentle education of the reader is fascinating.

I was re-introduced to the sign language alphabet which I had played with at school, and found quite exhausting (imagine having to spell everything you want to say!). Her explanation of Auslan through Piper’s gradual introduction to ‘whole-word’ signs was eye-opening. I found the concept of how exhausting it is for a Deaf person using a hearing device and lip-reading thought-provoking too. (It reminded me of Being Jazmine by Cecily Paterson.)

The importance of community and belonging is another element ‘Future Girl’ raises. Just starting out with a local community garden myself, I found this a wonderful and warm attachment to the story. It was also timely in this COVID climate where relationships, separation and restrictions mark our current world. But there is so much more… it is impossible to deliver it all here!

Asphyxia ‘speaks’

This is a book you want to read, hug and re-read carefully. Absorb the ideas, the beautiful illustrations and the inspiration it gives us all. Inspiration to look at the world differently, with hope and with concern for those around us. (Recommended 14+)

 

# Asphyxia gave permission to include some of her stunning artwork – I hope this entices you to pick up a copy soon. There is so much to learn through the story and the personal notes from her at the end.

# A younger series she has written also displays her creative puppetry skills – the Grimstones, a gothic fairytale series introduced here. 

(Apologies for the quality of the photo images taken…)

 

the Henna Artist

Married at 15, with an abusive husband and no-one to turn to, Lakshmi flees her rural village to seek an independent life. As her life evolves in the city of Jaipur, she becomes a renowned henna artist for the upper class. Her skills sought after, she is able to work towards her dream of a better life.

Alka Joshi’s debut novel pays homage to her parents’ Indian background – an arranged marriage and a desire for a better life. As her parents moved from India to America, theirs is not a traditional Indian lifestyle – though her mother had limited choices herself, she had greater aspirations for her daughter.

Naturally, Alka tributes her own freedom to her mother’s efforts, enabling her to live a life of choice that her mother never experienced. She sees ‘the Henna Artist’ as a reimagining of her mother’s traditional life in India of the 1950s – a girl making a life of her own.

Set in India in the mid-1950s, ‘the Henna Artist’ provides an authentic insight into some of the restrictions faced by young women/girls within Indian society. Themes include discrimination through the caste system, male vs female rights, wealth vs poverty, and the implications of all these for young girls.

As stated before, Lakshmi escapes an abusive marriage and is able to determine some of her life choices once she is in Jaipur. She operates her own business, employs a young but savvy local boy, and her henna work (and other skills) is in demand by upper-class ladies. However, the favours and relationships she has established to improve her status in life begin to unravel when her past catches up with her.

Life, with its class-related pitfalls, seems so unfair in this novel. There is both hope and despair, with no clear outcome for Lakshmi and those around her, except for the importance of family ties. But whose family ties will be significant?

This is a challenging #ownstorytelling, as Alka Joshi aims to:

“…understand that what my mother wanted was a life for me that she was denied. She wanted me to experience the freedom of choice…. Lakshmi embodies the alternative life (I) imagined for my mother.”

Including a glossary to explain the many Indian terms, a list to introduce the characters, and some relevant explanations/recipes ‘the Henna Artist’ reveals a world of struggle, love and pain with intriguing characters.

Vibrant personalities, colourful locations, and even threatening situations presented are easy to imagine. Cultural and social conflicts are frustratingly real and angst-ridden. Lakshmi’s future isn’t simple, but there is hope that she will rise above all that fate places in her path – but at what cost?

# Will this, a debut novel be a standalone, or the first of several stories from Alka Joshi? Is there more to tell about Lakshmi, Malik, Hari, Radha and Nikhil?

Ghost Bird

It’s a mystery – Laney is missing and Stacey doesn’t believe the story told by Laney’s boyfriend, Troy.

The police don’t seem to be doing much about looking for her, though her family mob are searching where they can. The divide between black and white in the outback community is pretty clear:

“Everyone knows that some parts of the town are ‘white’ territory and others are ‘black’. Even the pub has a whitefulla and a blackfulla side.”

As Laney’s twin, Stacey feels it is up to her to follow her own instincts to find her, despite repeated commands from her mother to stay put. Her nightmares continue and though respectful of her family, she must do something – including speaking with Mad May Miller.

There are many tensions within the community – between black and white, poor and wealthy, current and past landowners.  Thus, Lisa Fuller brings together elements of racism, family loyalty, past conflicts and tradition into this intriguing debut novel.

While covering only a week in a divided community, there are many questions to be answered along the way:

  • What really happened to Laney? Can she be found alive?
  • What was/is it like to live in a divided community?
  • Should Stacey follow her instincts?
  • When is it time to get over old grievances?
  • Can the solution come from the past?

The characters of Stacey and her cousin Rhi are real and relatable, as are her family members and Mad May Miller. This would be a great class novel, but read it before it becomes one to enjoy the language and situations it introduces. A worthy nomination for this year’s CBCA shortlist!

# In this interview, Lisa Fuller responds to the comment: ‘One of the loveliest aspects of Ghost Bird is the infusion of your culture with a strong emphasis on family.’ and more.

EDIT: Ghost Bird is an Honour Book in this year’s CBCA Awards. Congrats!

The Hate You Give – revisit

Strong, harsh and confronting. Tells it like it is. Written from an #ownvoice perspective in 2017.

This is a hard book to read at this time of disruption (though I read it several years ago – in 2018), but more people should. Think I need to re-read it now in 2020.

Starr moves between two worlds – and for some time takes on 2 personas – between school (in a privileged world) and her home (a black neighbourhood). To get ahead, education is important; for balance, friends are vital; to live, family is critical. But where can she be real?

And what can she do, as a witness to an obscene injustice in a black community? How can a black teenager seek justice for a fallen friend?

I loved the characters in THUG – Starr, Khalil (while he lasts), even her flaky white friends at school. The contrast between Starr’s school friends’ aspirations and attitudes, and her home environment is stark. The story itself is a challenging read.

It took a while for me to get into the language and culture of the main characters – but then that’s what the book is all about. [So, language warning…]

Life is not homogenous. People are not all the same. For some life is easy, for others the struggle is real.

There’s a great interview and comments from Angie Thomas here– the call for #ownvoice writers is strong. There’s also a video discussing her inspiration for the book some 6 0r 7 years earlier:

I do now wonder what Angie might say today – in this time of #blacklifematters.

 

Read ‘The Hate You Give’ and reassess what you think.

 

# Is it important for stories like this to be told by #ownvoice writers?

Dumplings, anyone?

When I first began reading ‘the Surprising Power of a Good Dumpling’ it made me recall ‘Front Desk’ by Kelly Yang (reviewed here). Both stories deal with families of Asian heritage, and their struggles to assimilate in a Western culture and daughters battling with their parents’ expectations of their school achievements. However, as a novel for an older reader, SPOAGD has more layers and detail.

As the eldest sibling, Anna has a lot of responsibility – especially since there are times when her mother won’t get out of bed for weeks on end. Her father seems more focussed on the operation of the family restaurant, and even spends overnights there since it is some distance from home. Thus, Anna, Lily (her younger, smart sister) and Michael (her kindergarten brother) are left to cope as best they can.

Though they recognise that their mother’s behaviour is not ‘normal’, the children are unable, or unwilling to seek help – family pride – and their father appears too weak to act.

Family struggles arise. Michael’s teacher wishes to see his mother. Anna’s teachers push her to lift her game, as she nears the senior years of school. Previously-loyal employees leave the restaurant for better opportunities. Their father spends even more time away from home, seemingly ignoring his wife’s health issues and their impact on the family.

When she goes to help out at the restaurant in the school holidays, Anna meets Rory, who begins work as their delivery boy. Slowly, a vital friendship grows, and Anna is confronted by the struggles that others around her also face.

Dealing with mental illness, SPOAGD highlights how hard it is to take action and get help. In the layers of the story, bullying, suicide, stress and depression are carefully exposed. As a reader, you anticipate some of the key characters opening up to each other, as they identify with similar problems.

But, credit to author, Wai Chim, there is no easy path for Anna, Rory, or others like school acquaintance, Wei. However new friendships and old loyalties form a comforting base for Anna and Rory, as they work through their individual struggles.

The story subtly points out some of the tiny ways in which different cultures critique and antagonise one another – sometimes without even understanding their impact. At the same time, it shows that the nuances of each family’s cultural background is important.

As Wai Chim states, the power of own voice stories is important, and books like ‘the Surprising Power of a Good Dumpling’ provide some interesting insights into different cultures, without lecturing. It’s a coming of age story, with lots of ups and downs to keep you emotionally connected to the very end.

Recommended 13+

# Other books by Wai Chim include ‘Freedom Swimmer’, ‘Shaozhen’ (a CBCA Notable book for Younger Readers for 2018, set in China) and a number of picture books in the Chook Chook series.

# How important is it that authors represent or write about their own culture?

## As someone who now lives in Australia, born in the USA, does Wai have the credentials to write Chinese ‘own voice stories?