Night Country (the Hazel Wood series)

How easy is it to dip into a series where you haven’t read the first book?

That’s what I had to attempt when I began reading ‘Night Country’ by Melissa Albert. Fortunately, there were prompts and explanations about the main characters and settings early in the story which didn’t seem out of place – more like recollections, which helped a lot without seeming out of place.

(Of course, I also had a look at online summaries of ‘the Hazel Wood’ to get a clearer picture of what preceded this tale.)

Thus, Alice’s adventures (no, not that one) and struggles made sense – caught between 2 worlds – Hinterland and the human world. But restless, she feels she doesn’t belong in either world, and has many unanswered questions.

It seems when Alice previously escaped the bleak world of the Hinterland (a world of dark and tragic fairytales in ‘the Hazel Wood’) she also made it possible for many others to escape as ex-Stories. Beacause of this, in the real world, there is an unease.  Murders of Hinterland escapees occur around her.  Macabre murders. With body parts removed. And one of which she is actually blamed.

This leads to Alice’s battle with Hinterland. She tries to unravel what is happening around her; things which are not allowing her to live a normal life in the real world.

It seems she can never escape Hinterland because she IS Hinterland. 

Back in Hinterland, her rescuer and past love interest, Ellery Finch, attempts to get back to her in the real world of New York.  A strange traveller guides him through many shadowy locations as the Hinterland world crumbles. It seems the traveller is interested in the many objects he had saved from the crumbling buildings of Hinterland. Some of these prove valuable to Finch.

I love that Finch communicates with Alice through letters in a book. After all, she occasionally works and refuges in a bookshop. And he is able to use a magical pen to write a love letter to her in the inside cover of ‘I Capture the Castle’ – the only book he’d taken from Hinterland. However, the intricate ways these letters are delivered to Alice are dependent on where she is.

There is a lot of fantastic and supernatural activity that happens in ‘Night Country’. Melissa Albert has not only built many different worlds but has created fantasy characters with their own stories to inhabit them. Creative supernatural inventions, connections, openings and ways to travel between the worlds are scattered throughout this story, along with poetry and grim fairy tales and endings*.

How will Alice and Finch reconnect?

Are they simply implements in a bigger story?

What happens when worlds collide?

Here’s a review of ‘the Hazel Wood’ to give you some details of the first book (which I should have seen before reading ‘Night Country’) which might compel you to read ‘the Hazel Wood’ first:

The Hazel Wood series is a dark modern-day tale with creepy fairytale creatures.

Recommended for lovers of intricate fantasy. 14+

* There is a short story collection set in the same world – eagerly anticipated by Hazel Wood fans – ‘the original stories of Althea Proserpine (Alice’s grandmother) called Tales from the Hinterland – due for publication in 2020/21.

## Some graphic violence & language throughout. 

Popular: a Court of Thorns and Roses

I began reading this as students at school showed increasing interest in the works of Sarah Maas. (Not a strong fantasy fan, but I love this “Beauty and the Beast” B&B variation.)

Initially, I connected this with how I felt reading Shiver by Maggie Stiefvater (review here) – writing which appeals to primal senses as the story evolves. Mix in B&B, faeries, and worlds in crisis, and you have an inkling of what ‘A Court of Thorns and Roses’ is all about.

A strong female lead (like Katniss), romance and a world where things aren’t always as they seem – even when you think you have it figured out. What a great mix!

That said, however, there are elements of the story which readers and their parents may wish to consider. This is not your average faerie world, and certainly not a Disney version of B&B. There is quite horrific violence at times, as well as evil beings and lustful scenes; so not for a young or immature YA reader. Indeed, some of the reviews on Commonsense Media reflect this – the kids love it, parents are cautious about the age group appropriateness: https://www.commonsensemedia.org/book-reviews/a-court-of-thorns-and-roses-book-1

[Note to self: this may make this more appealing to YA readers…]

Beyond that, there is also the consideration of what the next books have to offer – Sarah J. Maas fans love this series! Like Harry Potter, the characters and the issues they face ‘mature’. The development of series: that’s another story (touched upon in the above link).

Fantasy takes us to another world. Should our personal morals apply/judge as we read fantasy? or does fantasy allow us to ‘accept’ things we would otherwise abhor? e.g. violence.

Should our moral filters simply make us choose to read something different, or help to gloss over the ‘bad’ parts?