Love Objects

At a time when minimalism is so widely promoted, have you ever wondered about the value you place on objects in your home? Are there precious items you would find it hard to throw out? what if someone else threw out things you valued?

In ‘Love Objects’, 45-year-old Nic would definitely not be a fan of Marie Kondo; although she does believe that everything in her house has a purpose and meaning. However, decades of newspapers stacked in the hall do not deter her from scavenging even more leaflets and envelopes that may someday ‘be useful’.

Many other items she gathers make her ponder their past lives, as she considers their new special place in her home (as Marie might also do). It is the quantity of items she loves that provides a catastrophic turning point in her life; Nic has a fall, her hoard comes tumbling down and well-meaning family members arrive to take charge.

Family relationships can be a curious thing – especially when life hiccoughs get in the way. Nic has no children, but has always been close with her niece, Lena. Until her sister, Michelle, moved her family away, she enjoyed fun times with Lena and her brother, Will. Then, time and distance and failed relationships over the years set other securities in motion.

Emily Maguire cleverly introduces the idiosyncrasies of hoarders in the opening chapter – the way she writes, the way she voices what Nic is feeling – and sets up the chain of events to follow. It is awkward reading, but nuanced to the character of Nic.

The web woven for Lena is also cleverly set, as she follows her attraction for a fellow uni student. She is oblivious to his grooming efforts and is soon, so easily, a victim, in spite of some awareness of sexual assault issues at uni. Much of what happens to her, consumes her and looks to ruin her life ambition.

Many questions arise from reading ‘Love Objects’. What would you have done if you were Lena? her mother Michelle? Could you have done something differently, earlier, if you were Nic? an aware Lena? a different sister version of Michelle? Would it have made a difference?

Hear what Emily Maguire has to say about ‘Love Objects’ here:

After you read ‘Love Objects’, what would feature in a sequel? How would you write the future of the Mitchell family?

Songbirds

Sometimes, we are blind to things that happen around us. Sometimes, we don’t want to know. Sometimes, it is dangerous to know…

Nisha is a maid for Petra in Cyprus. Petra is a single mother, lucky to have Nisha to care for her daughter while she is at work. In some ways their lives have parallels. In others, they are far apart.

When Nisha disappears one night, Petra begins to realise how little she knows about her maid and how much she needs her presence. Her daughter Aliki pines for Nisha – but she is not the only one.

Where can Petra turn for help to find Nisha? Who might know where she went and why? Who are the people in the local community who might have observed Nisha’s last moves?

At home, Aliki remains distant and sad. Where is Nisha, the one who has basically replaced her distant mother over many years? As a young child, does Aliki have any hints about why Nisha chose to leave – if she actually did?

Christi Lefteri (also author of the Beekeeper of Aleppo) explores many different relationships in Songbirds – in terms of power and control, love and longing, past and future. It is set in her native Cyprus, and much of what she writes in Songbirds is based on conversations with domestic workers there; workers from other lands seeking to better the lives of their families, even at the sacrifice of distance.

Songbirds will leave you feeling sad, frustrated, confused and annoyed. But at its heart, the characters who look after one another and care for individuals will encourage you to look after and appreciate the little ones in life – even if they are as frail and exposed as the songbirds.

The Paris Library

This is definitely one for book and library lovers – and those who understand the power of reading.

Switching between Paris in the early years of WWII and Montana in the 1980’s, ‘the Paris Library’ (by Janet Skeslien Charles) links the stories of Odile Souchet and Montana teenager, Lily.

Odile is an intense young lady, living in Paris. Her father is keen for her to find a husband, and regularly brings home suitors for Sunday lunch after church. Odile, however, isn’t particularly interested in any of them, and is more concerned with establishing herself in her dream job at the American Library.

When war is declared, the Library staff is determined to maintain their service for the Parisian community, providing books to British and French troops, and constantly work at ways to overcome the obstacles arising from Nazi occupation. Problems arise of course, due to the various backgrounds of library staff, and some reluctantly need to move on and away from their normal ways of functioning as military threats increase.

At times, it seems the library will be closed; something their dedicated subscribers (members such as students, writers, book lovers and soldiers at war) would find so tragic. Thus, the library staff do their best to meet their needs; a band of resistance in perilous times of occupation.

Woven into a tale from the past is the story of Lily, a young teen girl in Montana, as she develops an unlikely friendship with her widowed neighbour. While both are guarded, they begin to warm to one another since they share a love of language and books. Then there are slow reveals of former lives, loves and losses as the tales alternate between 1939 and 1983.

Based on the historical fact of occupied Paris during WWII, ‘the Paris Library’ is written by an author whose interests were piqued when she worked there.  It provides an insight into the actions of brave individuals and the role that the American Library played in trying to normalise life and maintain civility:

With the coming of World War II, the occupation of France by the Nazi regime, and the deepening threats to French Jews, Library director Dorothy Reeder and her staff and volunteers provided heroic service by operating an underground, and potentially dangerous, book-lending service to Jewish members barred from libraries. (Source: the History of the American Library in Paris, https://americanlibraryinparis.org/history/)

The other storyline in Montana will appeal to a young adult audience, as Lily struggles with school, friendships, the loss of her mother and the subsequent change in family relationships in a small country town. How will her growing relationship with her neighbour make a difference?

Both storylines raise questions about love, trust, loyalty and the need to belong. Lovers of historical fiction will enjoy a different insight into the impact of war, both immediate and long-term. Lovers of libraries will enjoy library/literary references, and applaud the tenacity of realistic characters as they continue to provide services in this tragic period in history.

Thus, it is highly recommended for these readers, and a great choice for those wanting something new.

Hamnet – behind the scenes

Life and death. Roles and responsibilities. Poverty and plague. Elizabethan England.

Maggie O’Farrell’s ‘Hamnet’ provides an alternative insight into the family life and development of a famous playwright. (Guess who?)

Set in England in the late 1500’s – a time cursed by disease and poverty, it introduces a young girl wracked with fever. Her twin brother anxiously seeks help for her, but their father is away in London and their mother is occupied elsewhere. Where is she? Why isn’t she here to help him?

Time then moves back to when their parents first met, and how, against the wishes of parents and step-parents, they became husband and wife.

Because of this, theirs is not an easy marriage from the beginning and neither seems to be able to fulfil all the expectations of family and society.

The mother, Agnes, has gifts inherited from her mother – an unusual intuition, the ability to heal and a quiet way of observing and understanding the people around her. And the father strives for more than the village of Stratford-upon-Avon can offer his abilities, spending much of his time in London – away from Agnes, Susanna, Hamnet and Judith.

“Two extraordinary people.

A love that draws them together.

A loss that tears them apart.”

‘Hamnet’ describes the challenging settings and experiences of many people in these times, when infectious diseases were easily spread and poorly controlled. (How a flea in Alexandria is able to impact many on a sea journey and end up killing a child in England is thoughtfully described. Its final impact on the family is traumatic.) Agnes’ healing herbs are however a comfort, and sometimes a cure, for the village people who come to her for help – even though they do not entirely approve of her way of ‘being’.

Through the visions Agnes experiences, we know that someone in her family will be lost to the plague – but even she is unable to understand who it might be. The struggles of the family are multiplied as the parents each seek to realise their own role in life. And it is particularly heartbreaking as they deal with the death of their child, in different ways. Neither will be hurried in their grief.

Visiting England in the late 1500s through the tragic events of this family and their community is a real and thought-provoking experience. You can smell their home, feel their conflicts, empathise with their struggles, and sense their great sorrow. Life is far from the glossy pictures we might have about a renowned playwright the whole world now honours. Historical fiction at its finest; accessible and engaging, with lots to ponder.

Here, Maggie O’Farrell talks about Hamnet:

# Awarded 2020 Women’s Prize for Fiction.

The Dictionary of Lost Words

Who decides if a word is important? What should be recorded across time? Sometimes, Esme witnesses a word discarded, sees a word float below the table where the men worked as if it were unimportant – so she begins collecting neglected slips.

As a child of a lexicographer, Esme spends much of her day under this table in the Scriptorium* – the place where her father and a team of men work compiling the first Oxford English dictionary. Even as a young child, she is acutely observant and precociously curious. Her father does his best for her; fostering her inquiring nature. However, in the absence of a mother, she bonds with a young servant from the house of her father’s supervisor, Dr Murray, and learns more from a different world perspective.

Set in a time that the suffragette movement was beginning in England and World War was looming, this debut novel from Pip Williams reflects actual moments of history based around the family responsible for the beginnings of the Oxford Dictionary.

Lexicographers in Dr James Murray’s *Scriptorium. Source: https://public.oed.com/blog/meaning-everything-new-preface/

Esme is never destined to fulfil the typical woman’s role at this time, and her passion for words sets her on an unusual path.

Women’s words. Esme sees many of these neglected, left out and ignored in the collation of the dictionary. But why? And what is the effect of that?

“So often, the words chosen by the men of the Dictionary had been inadequate.

‘Dr Murray’s dictionary leaves things out, Lizzie. Sometimes a word, sometimes a meaning. If it isn’t written down, it doesn’t even get considered.’ (Esme explaining to Lizzie.)”

There are many strong women in Esme’s life, some more fortunate than others, though she learns from each of them. Lizzie, her bondmaid; Ditte, her godmother; Tilda, her actor friend; Mabel, her market word-source.

However, words (women’s words) remain very significant characters in this story. Collecting ‘lost’ words, Esme assembles her own dictionary, based around important life events and experiences. These show the power of language and the need to recognise the importance of all words – not just those used by scholars:

“It is not for you to judge the importance of these words [librarian, Mr Madan], simply allow others to do so.” (Esme urging the acceptance of Women’s Words in the Bodleian Library.)

Get lost in this tale, absorb the strength of those who inhabit it, and thus, enjoy the melding of history and story in ‘the Dictionary of Lost Words’.

Highly recommended for mature readers.

What to do about ‘the Fall’

Sam wakes in the middle of the night after hearing angry voices in the apartment above his Dad’s. Then he witnesses a man fall from above, and thud into the pavement. As the son of a crime reporter, he quickly records details on his phone, and is seen by the man leaning over the body. Now he could be his next victim.

Sam is staying at his estranged father’s place, after his mother finally relents, while he recovers from recent surgery. His father remains a mystery and strangely is not around for Sam to tell him what he saw. Alone, he feels threatened, waiting for the murderer to seek him out.

Adoration for his absent father has lead to an interest in uncovering crimes, so Sam tries to employ logical thinking to find out more about the fall – even though the body has mysteriously disappeared. His tactics reflect some of the ideas he often adds in his own crime comics, which feature a hero detective, modelled on his perceptions of his absent father.

“Suspense in spades! You will be gripped by Sam’s story.” Author, James Phelan.

How will things unfold for Sam – a young boy, deserted by his father in an apartment and facing a murderer’s imminent return? What would you do in Sam’s position? Tell the police (his father didn’t want to contact them…)? Run away? Go back home in a hurry?

Tristan Bancks is not only a writer, but has been an actor and also involved in film-making. His previous YA book, Two Wolves, won Honour Book in the 2015 Children’s Book Council of Australia Book of the Year Awards and was shortlisted for the Prime Minister’s Literary Awards. Another mystery-crime story, which was cleverly introduced by this video:

Tristan is also keen on sharing his insights into the writing process and encouraging kids to read. There are lots of ideas at his website: http://www.tristanbancks.com/p/create.html and more on his YouTube channel like this one:

Off the edge? ‘One Would Think the Deep’ – Claire Zorn

Yet another year of nominations for Claire Zorn – this time for a story (One Would Think the Deep) set in 1997 in a small coastal town, where surfing is a major activity.

Sam once lived in Sydney with his mum, but following her untimely death, he moves north to live with his mother’s estranged sister and her family. Though once family ties were strong, it is hard for Sam to adjust to this different lifestyle and struggles to deal with the changes as he mourns his mum.

In his new ‘home’, Sam’s cousin Minty is idolised as the next surfing champ, and as Sam reconnects with his cousin, he too is introduced to the world of surfing and all its challenges. The highs and lows of Sam’s life are echoed in his attempts to conquer the waves. His friendships also have their highs and lows, with events from the past impacting on his behaviour as he tries to find his way.

Situations in which Sam finds himself make you feel for him as he deals with his losses, but his choices make you want to shake him to his senses. Will he make the most of what he still has? Can he overcome the difficulties he has been dealt? Who will be able to break through to him of he won’t really reveal some of his troublesome thoughts?

This is another authentic story from Zorn, though I think I liked ‘the Protected’ more. Is that simply because of the way Sam made me feel? Is it good that Sam made me react to his choices?

After you have read ‘One Would Think the Deep’, for some interesting reviews from others, visit Inside a Dog. And here is part of a review from the State Library of NSW:

One Would Think the Deep has a potent emotional heart, great characters and beautiful writing. Built around gorgeous evocations of surfing and the sea, it is driven by wonderfully evoked characters and an empathetic exploration of masculinity. Source: http://www.sl.nsw.gov.au/one-would-think-deep-claire-zorn

Now consider if OWTTD gets your vote for the Young Adult CBCA award this year. Comments?

Deceiving book covers – Zebra Forest

zebra_forest_cover-330When Zebra Forest was first shown to me, I was attracted by the cover – but it gave little away about the story beneath. That said, this debut novel by Adina Gewirtz is an intriguing and thoughtful novel about family relationships, and the shaping of our memories.

Annie B. and her younger brother Rew live with their grandmother. They know little about their past – not even their mother’s name, and assume their father is dead. Their unusual family setup is accepted by their local comunity – even school fails to worry should they not turn up regularly, as Annie takes on tasks for her brooding grandmother.

As summer vacation approaches, eleven year old Annie is suddenly confronted at home by a prison escapee, and all her understandings about her family history are shaken, as she and Rew and Gran are taken hostage.

Who is this escapee? How will they, as hostages, deal with their situation? And what will it mean for their family – this threat, this intrusion on their day-to-day existence? Will anyone notice their absence?

Perhaps one of the tragic points hidden in Gewirtz book is the fact that there is little intrusion or investigation when Annie and Rew don’t appear at school; and there is little community concern for Gran – an elderly person repsonsible for the care of 2 young children. Is this a reflection of society today? Or would there be more concern for the family held hostage by a convicted murderer in reality?

Is this just poetic licence explaining away family isolation? What do you think? Could the events of Zebra Forest happen in real life? If so, what should we do about it?

Here’s a book trailer introduction to Zebra Forest:

55 years later…

New novel from Harper Lee

New novel from Harper Lee

Today marks the release of a long awaited book – the second written by Harper Lee, finally published 55 years after her first published book, To Kill a Mockingbird! (TKMAB)

Many thought this day would never come, so the book’s unexpected discovery has readers in a fervour to see how it unfolds.

Early reviews have indicated that the book is told from Scout’s point of view as a 20 year old, and also that it reveals (surprising?) bigotry of Atticus Finch. The explanation of this may be that Go Set a Watchman was actually written before TKAMB, and that it was not what her editor wanted at the time:

Go Set a Watchman was written in the mid-1950s, before she wrote To Kill a Mockingbird, which was published in 1960. She set it aside when her editor suggested that she write another novel from the young Scout Finch’s perspective. – https://en.wikipedia.org/wiki/Go_Set_a_Watchman

Naturally, there has been lots of fanfare preceding the book’s publication:

Go Set a Watchman review – more complex than Harper Lee’s original classic, but less compelling, http://www.theguardian.com/books/2015/jul/12/go-set-a-watchman-review-harper-lee-to-kill-a-mockingbird

Harper Lee’s Go Set a Watchman goes on sale  http://www.bbc.com/news/entertainment-arts-33510168

Go Set a Watchman: Eight things reviewers say about Harper Lee’s new novel: http://www.abc.net.au/news/2015-07-13/go-set-a-watchman-reviews-latest-harper-lee-story/6615050

There’s only one Atticus Finch: why I won’t be reading Go Set A Watchman – http://www.abc.net.au/news/2015-07-14/barnes-why-i-wont-be-reading-go-set-a-watchman/6617508

Author Harper Lee

Author Harper Lee

There have also been releases of the first chapter to entice readers in… which you can either read, or listen to a Reese Witherspoon narration here.

What are you thinking? Do you want to read the rejected manuscript? Can you handle characters who may not be the same as you remember them? Does it change the way you view TKAMB?

Do you wonder what Harper Lee thinks of all the promotion happening right now? Is it (the publication) authentic?

Life as you know it?

incredibleMichael is a typical school boy living in the suburbs of Western Sydney. For him, life has a rhythm and routine which is closely bonded to his older brother’s. That is until tragedy strikes, and he decides that:

‘my life isn’t my life any more: It is like a movie, it’s the place where I enter the scene again and again and everything is different.’

From the time that Michael regains consciousness after the accident, his thoughts are fragmented. Indeed the nature of Felicity Castagna’s book, ‘the Incredible Here and Now’, is that it, too, is a whole story slowly pieced together. Gradually, chapters reveal little insights into the lives of people in Michael’s world, as the picture develops describing his life with family, school and his mates, and how life can suddenly become distorted and troubled.

Without his older brother, Dom, the form of Michael’s life has changed. At home, his mother grieves and (has) ‘slipped out of our lives’. His father, though acting calm and together, ‘walks (him) to school for the first time since I was 10’. In his own way, Michael disconnects from school and other aspects of his old life. He constantly wonders ‘how can someone be there one day and not the next?’

However, ‘the Incredible Here and Now’ is not a sombre tale, but a thoughtful one. As a coming-of-age story, we are taken through the neighbourhood streets where Michael is growing up and dealing with the first throes of love and conflict. Through his eyes, the tapestry of different immigrant lives are illustrated; with their particular features and foibles. Teenage lives are interconnected not only through school, but through sport and other hangouts.

Castagna’s little vignettes capture many different things about Michael’s family, friends and acquaintances. For most people around him, life goes on as before – but how can things remain the same when someone important is lost from your life. Castagna also captures the differing cultures which permeate Michael’s life, and the unique mix of his neighbourhood. This will provide some ‘aha’ moments to those readers who can identify with some of the locations described, and an interesting insight to others from different social backgrounds.

Teen readers will also love the short chapters which collect the thoughts of Michael fairly concisely. As he dips in and out, his thoughts seem somewhat fragmented but are also part of the whole – as he attempts to deal with his now fragmented world.

The Incredible Here and Now does not tell us how to deal with the loss of a family member. Neither does it come up with a solution to everyday teenaged angst. What it does is provide great realistic fiction which should appeal to many teenage boys; they could easily identify parts of themselves in many of the characters, and the situations in which they act.

In Felicity’s words, The Incredible Here and Now:

… is about being an absolute insider in a place you know as well as the back of your own hand. It’s a young adult’s novel told through the eyes of Michael whose life changes dramatically in the summer he turns 15. Michael knows everything about the community he lives in and through his stories, he lets the reader in; to the unsettled lives of his family members, the friends he meets in the McDonalds parking lot at night, the swimming pool where he meets the one girl who will acknowledge he’s alive and the classmates who spend their mornings drooling at the Coke Factory on their walk to school. (Source: the NSW Writers Centre, Felicity Castagna Talks Writing a Sense of Place, http://www.nswwc.org.au/2013/05/felicity-castagna-talks-writing-a-sense-of-place/)

# The Incredible Here and Now was shortlisted for this year’s CBCA awards, and the NSW Premier’s Literary Awards 2014 – and is Felicity’s first novel.