Night Country (the Hazel Wood series)

How easy is it to dip into a series where you haven’t read the first book?

That’s what I had to attempt when I began reading ‘Night Country’ by Melissa Albert. Fortunately, there were prompts and explanations about the main characters and settings early in the story which didn’t seem out of place – more like recollections, which helped a lot without seeming out of place.

(Of course, I also had a look at online summaries of ‘the Hazel Wood’ to get a clearer picture of what preceded this tale.)

Thus, Alice’s adventures (no, not that one) and struggles made sense – caught between 2 worlds – Hinterland and the human world. But restless, she feels she doesn’t belong in either world, and has many unanswered questions.

It seems when Alice previously escaped the bleak world of the Hinterland (a world of dark and tragic fairytales in ‘the Hazel Wood’) she also made it possible for many others to escape as ex-Stories. Beacause of this, in the real world, there is an unease.  Murders of Hinterland escapees occur around her.  Macabre murders. With body parts removed. And one of which she is actually blamed.

This leads to Alice’s battle with Hinterland. She tries to unravel what is happening around her; things which are not allowing her to live a normal life in the real world.

It seems she can never escape Hinterland because she IS Hinterland. 

Back in Hinterland, her rescuer and past love interest, Ellery Finch, attempts to get back to her in the real world of New York.  A strange traveller guides him through many shadowy locations as the Hinterland world crumbles. It seems the traveller is interested in the many objects he had saved from the crumbling buildings of Hinterland. Some of these prove valuable to Finch.

I love that Finch communicates with Alice through letters in a book. After all, she occasionally works and refuges in a bookshop. And he is able to use a magical pen to write a love letter to her in the inside cover of ‘I Capture the Castle’ – the only book he’d taken from Hinterland. However, the intricate ways these letters are delivered to Alice are dependent on where she is.

There is a lot of fantastic and supernatural activity that happens in ‘Night Country’. Melissa Albert has not only built many different worlds but has created fantasy characters with their own stories to inhabit them. Creative supernatural inventions, connections, openings and ways to travel between the worlds are scattered throughout this story, along with poetry and grim fairy tales and endings*.

How will Alice and Finch reconnect?

Are they simply implements in a bigger story?

What happens when worlds collide?

Here’s a review of ‘the Hazel Wood’ to give you some details of the first book (which I should have seen before reading ‘Night Country’) which might compel you to read ‘the Hazel Wood’ first:

The Hazel Wood series is a dark modern-day tale with creepy fairytale creatures.

Recommended for lovers of intricate fantasy. 14+

* There is a short story collection set in the same world – eagerly anticipated by Hazel Wood fans – ‘the original stories of Althea Proserpine (Alice’s grandmother) called Tales from the Hinterland – due for publication in 2020/21.

## Some graphic violence & language throughout. 

Magic disguises

NewtsEmerald.inddSometimes, authors have an idea for a book which takes a while to complete.

Garth Nix’ book Newt’s Emerald is an example of this – beginning its life (well, the first lines) 23 years before it was published! In a note at the back of the book, Nix talks about the first version of this book “which remains in a bottom drawer and there it will stay.” Thus, Newt’s Emerald represents the re-working of a past tale from Nix’ creative mind.

Within the story there is a mix of fantasy, love story and historical fiction, as Lady Truthful seeks to recapture an enchanted emerald stolen from her ailing father. To do so, she uses her own enchantments (along with those of her aunt), to follow a dangerous journey while disguised as a man.

Woven into the mix is her proposed introduction to society, as a young lady from a well-to-do family, turning eighteen.  Thus, Truthful switches between the roles of a well-bred young lady and a gentleman, known as Chevalier de Vienne (her own French cousin). Will she be detected?

Truthful herself, is a mix of personalities – able to act as a lady, but at the same time able to parry with the male cousins with whom she has grown up. These influences come into play as the story moves into dangerous situations, as Truthful calls upon both her instinct and undeveloped magical powers to recover the Newington Emerald.

Add into this, an evil sorceress, people who are not always who they say there are, and you have situations which can twist and turn as the pages turn.

Newt’s Emerald – ‘a regency romance with a magical twist’. Shortlisted in the CBCA Older Reader’s  category this year.

Will it pull off a magical award? Will it enchant Garth Nix fans? Will the mix of fantasy, romance and historical fiction bewitch young readers?

Perhaps Garth Nix describing his book might invite you into the tale?

It’s Black and White – audio with print book, too.

Night-Circus-UK-coverThe ‘Night Circus’ begins with an unusual delivery – a 5 year old girl delivered to her estranged father. It sets the tone for a tale filled with magic, mystery and strange happenings – nothing in this story is fully explained, at first.

Celia’s father is no ordinary father but a master magician. He claims however, that his trade is not in creating illusions, but in performing real magic. As her father’s daughter, Celia becomes involved in a high-stakes competition set up between Prospero and his long term rival – a magician know only by the mysterious name Mr A.H. The challenge is to prove whether magic is innate, or whether anyone intelligent person can develop the performance with skilful teaching by a master.

‘Let the games begin!’

Throughout the story, a major character is Le Cirque des Reves. This is no ordinary circus, since it arrives unannounced, without any fanfare and is setup from nightfall to dawn. Inside its black and white structures, spectators are treated to intriguing performances, theatrical stunts and out-of-this-world experiences unmatched by any other – all of which are intricately described and embellished beyond your imagination. In spite of the circus having no known schedule, a dedicated band of followers (reveurs) manages to anticipate and herald their arrival.

There are other significant characters who also anticipate the arrival of the circus and its entourage, as Morgenstern cleverly mixes the story together. In doing so, she has developed many intriguing characters and histories, in her debut novel – as well as some intriguing inventions for the circus itself.

However, this was one story which was a little difficult to follow in the audio version, as the chapters skipped from one time period to another, although the voices hinted at change. So it was great to jump into the print version from time to time, where it was much easier to track these time changes.

The book trailer below gives a hint about the style of the book – old worldy, black and white, circus focus with a bit of mystery, magic and love woven through:

 

 

Morgenstern also mixes an array of colourful characters and scenarios in her magical tale. Celia is not the only talented illusionist, as she is in competition of course with the dark and intriguing Marco, Mr A.H’s protégé. The history of her father (Prospero), the conception and development of the circus, and its impact on people are facts which are teased out at an agonizing pace. In a world of mystery and illusion, there is little that is really as it first seems. Many in this world are performers, and all is not always as we first see it.

It was easy to get caught up in the circus world, to suspend belief and engage in the battle for magical supremacy, even though you felt there was no chance of a happy ending – especially if you have empathies for both Celia and Marco, and the circus family. In this story, it is hard to decide who is the victim or villain, hero or heroine – or is it? A recommended read for you to puzzle over.

In this article from the HuffingtonPost, reviewers speak of the differences in reading and listening to the Night Circus – what do you think are the main differences?

Which way would you prefer to experience a book?

Or in which order would you try? Book? Audio? Movie?