My daughter commented the other day about how many new books she had read recently were now using flashbacks and multiple viewpoints*. This may have related to the genre she has been reading (several crime and mystery stories), but I certainly reflected on this comment as I read ‘the Van Apfel Girls are Gone’ – flashbacks are crucial.
The story itself reflects back to “the long hot summer of 1992, the summer the Van Apfel sisters – Hannah, beautiful Cordelia and Ruth – vanished…” (Blurb on the back cover)
Told by one of the girls’ friends and neighbours, Tikka, it is a tale of pondering, wondering and wishing. What if Tikka had…? What if people had noticed…? What if friends and neighbours had…?
Twenty years after the girls went missing, Tikka returns to her family home to be with her older sister, Laura, who has tragically been diagnosed with cancer. Also told from the point of view of an eleven-year-old girl, it provides a young viewpoint, as remembered by Tikka.
Together and separately, Tikka and Laura think about the events leading up to the girls’ disappearance, and the seeds are sown for the reader to contemplate what actually happened – and why. The recollections of others are also finally laid out for Tikka and Laura to ponder.
In spite of the title, you are never quite sure what happens to the Van Apfel girls, but there are lots of dim, dark secrets revealed along the way. Some of the nuggets of information are cleverly hidden in the story (while others may be distractors) so that you are never quite sure what will happen next, or what is the real impact of (several) people keeping observations to themselves.
# Does this story leave you with all the answers?
## How does this story make you feel about keeping secrets?
# Nominated for the Indie Book Awards 2020 for the best Australian books published in 2019 – category Debut Fiction.