Dumplings, anyone?

When I first began reading ‘the Surprising Power of a Good Dumpling’ it made me recall ‘Front Desk’ by Kelly Yang (reviewed here). Both stories deal with families of Asian heritage, and their struggles to assimilate in a Western culture and daughters battling with their parents’ expectations of their school achievements. However, as a novel for an older reader, SPOAGD has more layers and detail.

As the eldest sibling, Anna has a lot of responsibility – especially since there are times when her mother won’t get out of bed for weeks on end. Her father seems more focussed on the operation of the family restaurant, and even spends overnights there since it is some distance from home. Thus, Anna, Lily (her younger, smart sister) and Michael (her kindergarten brother) are left to cope as best they can.

Though they recognise that their mother’s behaviour is not ‘normal’, the children are unable, or unwilling to seek help – family pride – and their father appears too weak to act.

Family struggles arise. Michael’s teacher wishes to see his mother. Anna’s teachers push her to lift her game, as she nears the senior years of school. Previously-loyal employees leave the restaurant for better opportunities. Their father spends even more time away from home, seemingly ignoring his wife’s health issues and their impact on the family.

When she goes to help out at the restaurant in the school holidays, Anna meets Rory, who begins work as their delivery boy. Slowly, a vital friendship grows, and Anna is confronted by the struggles that others around her also face.

Dealing with mental illness, SPOAGD highlights how hard it is to take action and get help. In the layers of the story, bullying, suicide, stress and depression are carefully exposed. As a reader, you anticipate some of the key characters opening up to each other, as they identify with similar problems.

But, credit to author, Wai Chim, there is no easy path for Anna, Rory, or others like school acquaintance, Wei. However new friendships and old loyalties form a comforting base for Anna and Rory, as they work through their individual struggles.

The story subtly points out some of the tiny ways in which different cultures critique and antagonise one another – sometimes without even understanding their impact. At the same time, it shows that the nuances of each family’s cultural background is important.

As Wai Chim states, the power of own voice stories is important, and books like ‘the Surprising Power of a Good Dumpling’ provide some interesting insights into different cultures, without lecturing. It’s a coming of age story, with lots of ups and downs to keep you emotionally connected to the very end.

Recommended 13+

# Other books by Wai Chim include ‘Freedom Swimmer’, ‘Shaozhen’ (a CBCA Notable book for Younger Readers for 2018, set in China) and a number of picture books in the Chook Chook series.

# How important is it that authors represent or write about their own culture?

## As someone who now lives in Australia, born in the USA, does Wai have the credentials to write Chinese ‘own voice stories?

The immigrant experience

Mia’s family has immigrated from China to the US for a better life – which is fine, until the reality of finding work hits. With little more than $200, the family takes on a job running a motel for Mr Yao, the wealthy owner. They soon realise life isn’t going to be as rosy as they first thought, as Mr Yao takes advantage of their desperate situation.

‘Front Desk’ reflects a lot of the personal experiences of the author, Kelly Yang, as she too helped her parents manage several motels in California from a young age. Just as Mia finds school difficult (hiding her poverty and facing racist taunts), so too did Kelly.

The exploitation of immigrant workers and racist attitudes facing people of non-white appearances is strongly portrayed, as Mia’s family struggles to get ahead. They find some comfort and support from the ‘weeklies’ who live in the Calivista Motel – though initially puzzled by the warning one gives them about the nature of their employer:

[Hank] “Everyone hates Mr Yao… Trust me, he’s anything but all right.”

Mia strives to get off the hopeless roller coaster of her situation. She  has ambitions to become a writer, even though her mother constantly directs her to devote her studies to maths. Is this an unrealistic ambition for a Chinese daughter of immigrants? Why is her mother so insistent on maths?

While Front Desk is fairly easy to read, many of the events and issues it raises are not. The ways Mia has to employ to cope with her family’s impoverished situation – both at school and at home, could make you sad. However, the other disempowered people she meets who spur her on and support the family provide hope.

It is HOPE that has to be continually reignited in this story, as Mia’s roller coaster takes her and her family on a rough, and sometimes dangerous, ride.

Kelly Yang wrote this story with purpose:

Finally, I hope that through this book, more people will understand the importance of tolerance and diversity…

This book is about what happens when you include, when, despite all your suffering and heartache, you still wake up every morning and look out at the world with fresh, curious eyes.

In this video, Kelly introduces Front Desk:

A recommended read for middle schoolers, and those who would like to see the immigrant experience through authentic eyes.

# The copy previewed has a different (newer) cover – why do you think the publishers have done this?

## Which of the things which happens to Mia and her family do you find most surprising? or most shocking?

Amal Unbound, a novel

Life is precarious for many girls around the world – and education is not always freely available. For Pakistani girl Amal, school has been a wonderful privilege which she was lapping up, until things go frightfully wrong – her plans study to be a teacher in ruins.

Amal Unbound echoes some of the realities for many girls around the world:

  • bound by traditional roles in their remote community
  • suffering for their low status
  • caught in their family’s debt spiral
  • extorted by people in positions of power

Amal also echoes the bravery and strengths of girls like Malala Yousafzai, whose desire for girls’ education lead to her being shot at point-blank range in 2012 by Taliban extremists. Like Malala, Amal yearns to better her position in life beyond accepting a traditional subservient female role. When things go awry for her, this desire becomes even more heightened – but what can a young girl do?

Malala’s story

Aisha Saeed is a Pakistani-American writer, teacher, and attorney. She is one of the creators of the #WeNeedDiverseBooks social media campaign. Her book, Amal Unbound, raises the issues of inequalities and indentured servitude (i.e. slavery for debt) which affects millions of people worldwide. It also recognises the need to be brave and take a stance against this – like Malala, and those who support the Malala Fund.

In most cases, education is a vital key, worldwide. For those caught in the tragic circumstances poverty sometimes deals them, it helps them strive for more; and for those in privileged positions, education aids understanding of the difficulties faced by many, and invites us to support ways to break down the barriers that hold girls back.

As Aisha Saeed states in her notes, Amal is relatively lucky in her servitude conditions – others suffer far worse. However, her loss of family life is her cruelest punishment, with lots for YA readers to consider. It would be interesting to know if the author plans a follow-up story…

For more detail about how she wrote the story, and why, read this interview – Q&A with Aisha Saeed.

This book is about resistance and about not giving up. That’s a message that a lot of people are connecting to as well. – Aisha Saeed.

We learn a bit about Pakistani culture from Amal Unbound. Was there anything which surprised you?

Did the beautiful cover portray the contents?

# Recommended for 10-15 year olds.

Everything I never told you

Should parents’ dreams be lived through the lives of their children? 

Before she married, Marilyn had dreams of becoming a doctor, but then children came along. Her dreams were different from her mother’s, but as a mother, she has great plans for her daughter, Lydia – to make up for what she didn’t achieve herself.

Unfortunately, this dream will not be fulfilled. At the age of 16, Lydia is dead.

The story opens with Lydia’s drowning in the lake near her home. As it unfolds, the intense passion Marilyn has for her daughter to achieve is revealed. The reasons for this drive are clearly tied to her own need to achieve which has been thwarted by marriage.

There are other frustrations in ‘Everything I Never Told You’, in a family which is loving but unable to communicate all they feel. In a small town which is slowly adjusting to multiculturalism, the Lees are a novelty. As a Chinese-American family, they struggle to blend in – a concept James, the father, had battled (though being American-born), and something Marilyn’s mother had warned them of when they first married.

As much as Marilyn dotes on Lydia, there is little attention given to her siblings, Nath and Hannah. Locked out of her attention, both Nath and Hannah fail to speak up about things their parents should really know – about themselves and things they observe about the family. And then it is too late.

Some may find the intensity of Marilyn’s efforts to drive Lydia’s future extreme. Similarly, the treatment of the family within the community and their lack of integration may seem harsh, but set in between the late 1950s and 1970s it is a reflection of life experiences for those with cultural differences.

‘Everything I Never Told You’ also shows how, even in a loving family, there can be differing perspectives on what happens day-to-day. Without good communication, things can go unsaid and misunderstandings arise. There are many examples of what-ifs and story-turns that occur because someone fails to say what they really think or know. Clearly, Lydia’s inability to voice her feelings has fatal consequences.

Some may be frustrated with the way the characters behave in ‘Everything I Never Told You’, but Celeste Ng’s debut novel (which took 8 years and 4 drafts to complete) is both moving and clever. It portrays an unimaginable family drama – the death of a child – and weaves past and present to explain how it came about. It leaves the question at the end – who is really responsible?

Following this best selling debut novel, Ng has written a second one, ‘Little Fires Everywhere’. She talked to Goodreads interviewer Janet Potter about teen drama, race, Twitter, and the fear of writing about a place you love. Read the interview here on  GoodReads.

Here, Celeste introduces ‘Everything I Never Told You’:

Are there times when you don’t speak up for fear of saying the wrong thing?

How might Lydia’s life have worked out better?

N.B. this is adult fiction but accessible for mature readers.